Lanzenberg was later informed that Burton wanted to meet him. Wednesday showrunners Alfred Gough and Miles Millar reached out and initiated a productive conversation with the DP. Lanzenberg isn’t sure how he got the Wednesday gig, conjecturing that some prior episodic work he had lensed for the Netflix series Shadow and Bone, directed by Lee Toland Krieger, may have opened the door for him. Burton is a two-time Best Animated Feature Oscar nominee (for Corpse Bride and Frankenweenie) whose body of directorial work includes Edward Scissorhands, Ed Wood, Batman, Charlie and the Chocolate Factory, Beetlejuice and Mars Attacks! The Emmy nomination for Wednesday is the first of Burton’s career. Wednesday also marked the cinematographer’s first collaboration with Burton who served as director/EP on the series. The latter was earned by David Lanzenberg, his first career Emmy nod coming for the “Woe What a Night” episode. The dozen Emmy nominations bestowed last month upon the Addams Family spinoff Wednesday included Outstanding Comedy Series, Directing for a Comedy Series (Tim Burton) and Cinematography for a One-Hour Series. Here are insights from Emmy nominees David Lanzenberg on Wednesday (Netflix), Dean Cundey, ASC on The Mandalorian (Disney+), Igor Martinovic on George & Tammy (Showtime), Natalie Kingston on Black Bird (Apple TV+), and Gary Baum, ASC on How I Met Your Father (Hulu). Our next DP saw her first foray into TV score an Emmy nomination.Īnd our fifth cinematographer garnered his 13th career Emmy nomination, this one for a series he won the Emmy for last year.
Yet another DP picked up his third career Emmy nomination-this one springing from his first collaboration with a director known more for his feature film endeavors. One DP got a gig that landed the first Emmy nomination not only for him but also the two-time Oscar-nominated filmmaker whose vision drove the series.Īnother Oscar nominee and ASC Lifetime Achievement Award winner scored his first Emmy nomination for a sojourn into the Star Wars universe.
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